Images: A Reader, our book published by Sage in 2006, received favourable reviews in Invisible Culture, Visual Anthropology, and Visual Communications. Here are some excerpts:
Mark Andrews in Invisible Culture: "The editors make two particularly useful contributions to the anthology. At the outset of each section, an introduction effectively summarizes and presents key issues for that section's readings, relates dominant themes to those earlier or later in the anthology, and outlines the significance of the individual excerpts in terms of the editors' proposed field of image studies. Aware of the bias with which they may have compiled the volume, however, the editors also have chosen to include four alternative tables of contents that fall at the end of the book's general introduction ... Accessible and well-organized, these alternative tables go far in exemplifying the extent to which the editors wish to open up the field of inquiry in the study of images."
Zoë Sadokierski in Visual Communications: Images: A Reader is "...a rich, well-considered volume that is bound to become a critical introductory text for students of images and images studies everywhere, as well as an essential resource for academics and practitioners alike. This reader is an invaluable tool for those interested in images and image studies across a vast array of disciplines."
Keyan G. Tomaselli in Visual Anthropology: "Much theorizing in visual studies, visual anthropology, and visual culture is offered in an a-historical vein, sliding along secondary and tertiary conceptual trajectories, with little sense of interdisciplinary origin. This book recovers the historical grounds of the study of 'images' and provides and contextualizes most of the defining texts, and a lot more besides. A cursory flipping through visual anthropology textbooks will reveal that few cite any of the authors included here.
"One could question the choice of works to reprint in the compilation: one could, with one or two exceptions, discuss the white, Western-centric emphasis of the anthology, and one could query others things besides. For the most part this would be pointless, as the tome offers a comprehensive overview. I can’t do any better than repeating Martin Jay’s blurb on the back cover:
"Images, from time immemorial, have generated words, words to describe them, words to interpret them, words to enhance or keep their magic at bay. Many of the most eloquent and insightful of these words, from the Bible to Plato, to contemporary visual culture studies, are gathered together in this remarkable collection, which is surely destined to be a standard reference in its field for many years to come”
You’d probably have to pay to read two of the three reviews in full, but, hopefully, you get the gist.
